Thus, being seen as “put together” and “cool” became an avenue for social advancement, and in many ways remains such for the wider LGBTQ+ community today. Halberstam, for instance, points to the legacy of Oscar Wilde and “the 19 th- to early-20 th-century dandy who is clever, witty, and well dressed, at the very forefront of fashion and the avant-garde, what’s cool, and, eventually, what Susan Sontag called ‘Camp.’ ” The association with aesthetes and tastemakers “put gay men on the side of a kind of seemingly feminine set of concerns that, nonetheless, they turned into something very, very different-a source of cultural capital.” At a certain point, it became common to suppose not only that gay men are skilled homemakers, but tastemakers as well.
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